A versatile musician, Anné-Marie Condacse appeared as a recitalist and concert artist throughout the United States of America, Italy, France, Mexico, Egypt, Romania, and Israel. Commended for her expressive singing and remarkable stage presence, Anné-Marie’s operatic performance credits include Corinna (Il Viaggio a Reims), Violetta (La Traviata), Musetta (La Bohème), Susanna (Le Nozze di Figaro), Blöndchen (Die Entführung aus dem Serail), Gretel (Hänsel und Gretel), Ofelia (Hamlet), Cécile de Volanges (Dangerous Liaisons), Adele (Die Fledermaus), and Monica (The Medium). Her concert performances include the soprano solo in Mendelssohn’s Elijah, Schumann’s Das Paradies und die Peri, Haydn’s Harmoniemesse, Haydn’s Missa in Angustiis, Mozart’s Krönungsmesse, Mozart’s Requiem, Händel’s Messiah, Brahms’s Ein Deutsches Requiem, Orff’s Carmina Burana, Bruckner’s Te Deum, Vaughan Williams’s Dona Nobis Pacem, and Poulenc’s Gloria. Her discography has been released by Blue Griffin and Electrecord records. Anné-Marie earned her doctor of musical arts in vocal performance from the Moores School of Music, University of Houston, and her master of music in vocal performance from the Shepherd School of Music, Rice University. A Fulbright scholar, Anné-Marie served as professor of opera studies at the Cairo National Conservatoire of Music. Anné-Marie is professor of vocal studies at Oklahoma State University, where she received the First Lady of OSU Distinguished Professor of Music Award.